A new episode featuring Ma$e and on Million Dollaz Worth of Game podcast included him discussing his “disdain” towards Diddy.

During an interview with co-hosts Wallo and Gillie Da Kid on Sunday (July 31), the former Bad Boy Records rapper said that Puff Daddy never wanted to promote him to the next level.

“Let me take my shades off for that,” Ma$e began. “Now, I can say this because it wasn’t something I didn’t say to him. Puff – how do I wanna say this – me and Puff was like, I felt like I did more than I got credit for, more than I got paid for.

“OK, so let’s get this out of the way now, since I’m trying to be kind. I was never treated with respect or paid what I was worth. ‘Is this how you want to keep me from leaving, ngga?’ I’m out of town. Everyone from my class is gathered up here. ‘I’m the boss of all my peers.’

He continued: “When it’s time, just like somebody raise somebody up, they did work with you, they go from your lawman to maybe A&R to something else – he just kept tryna keep me right here, like he didn’t want me to grow at anything.”

Mase explains his disdain for Puff pic.twitter.com/lzosAp7ClI

— Low (@LowKeyUHTN) August 1, 2022

Biggie’s 1997 Life After Death smash “Mo Money Mo Problems” was reportedly written by Ma$e, according to the rapper.

“Puff would go out and party and I would be in the studio writing the records,” he said. “And then I’d just come back and say, he’ll say this is his part or this is that part, but I was the person creating it all. I mean, from the lyrical standpoint, whether somebody did the beats, and even ‘Mo Money Mo Problems’ – I came up with that.

“I came up with the beat, too. I said, ‘Stevie [J], we need to do this beat and do it like this.’ So just imagine all of these moments that are taken from you, the records, the beats, you ain’t getting the money, you ain’t getting the publishing, you ain’t getting the respect.”

A few minutes later, “And I don’t think you’re like that to be pulling with you’re pulling. You know what comes with doing that, but everybody is letting you get away with it. Everybody. So me quitting after one album, it didn’t take long for me to figure it out, like I’m not gon’ be here with this. I don’t care who’s here, ’cause you’re not paying me and you’re not respecting me.”

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Puff Daddy and The Family’s 1997 No Way Out Tour included a stop in Ma$e’s hometown of Atlanta, Georgia. However, he wasn’t making much in terms of his role and how much money he thought the tour was making.

The areas he went to make money when he first started his work as a freelancer were places like Philadelphia and Washington, D.C. “The No Way Out Tour was mostly for commercial purposes for me when I first embarked on it.

“So the second leg I started getting like $15,000, but the first couple of shows I really do believe they were all promotional. Because I remember the people at Bad Boy asking me, ‘Do you wanna get in a van and go state to state and go radio to radio and do promo, or do you wanna do the No Way Out Tour?’ And common sense, we did the No Way Out Tour.”

In retrospect, I kid you not, this was one of the greatest things that ever happened for me. Getting the deal, getting the fame and being able to take care of my family, but it was a lot of the worst experiences, and that’s just my understanding.”

In response to a question regarding the tour’s revenue, Ma$e replied, “I can’t count another man’s pocket. I know Budweiser was involved, I know a lot of other people. According to the day’s term, it could be a million or north, but I just know what I was getting. And now that I look back, I was the headliner, but I didn’t know I was the headliner.

“I’m cool with that – I’m cool with putting in at the beginning. And that’s what made me so upset at the end, because I felt like I was putting equity in the house, and at some point you gotta be able to pull the equity out.”

if im interpreting correctly, Mase said he was on an arena tour, closing shows, but didnt get paid for shows til the second leg of the tour cause it was promo? come on now pic.twitter.com/DeeO2WztBg

— i wrote a piece about this (@andrejgee) August 1, 2022

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“It’s Your World, You Decide!”

According to DaBaby, his crazy activities haven’t deterred him from bringing a hefty bag of cash to nightclubs despite the fact that many people have turned their backs on him recently.

While on the Full Send Podcast, DaBaby disclosed that the cost of a club appearance is $200,000. In the opinion of the Charlotte-raised performer, the cost is justifiable given the quality of his performance.

“Oh man, it varies, you know? Sometimes I get $200K, “I always overplay it though. … If they’re giving you that type of bag that means it’s love. It means you’ve got that type of draw in that club.”

DaBaby explained that he’d gone a long way to demand $200,000 for a club performance. He used to barely make $15,000 a year, which was nothing in comparison to the millions he was raking in during performances.

On another occasion during the interview, DaBaby was questioned about the largest bag he’s ever received for a feature.

Naming his feature on Dua Lipa’s “Levitating,” he said: “I got a bag. I think it was three-even [$300K]. … I think it was 300 to be fair, I don’t wanna throw no extra grease in the pan. It was at least three, though. It might have been $350K.”

According to an interview with VladTV, Billion Dollar Baby Entertainment signee Stunna4Vegas first revealed just how much DaBaby made off of Dua Lipa’s deal a few days earlier. DaBaby was dropped from the song last year after making homophobic remarks at Rolling Loud Miami.

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“It’s Your World, You Decide!”

This weekend, rap star Kodak Black got himself into a crazy predicament that put him in jail. It appears he will not go down without a fight, since he was released on a $75,000 bond.

It has been reported by Radar Online that Yak has requested that his attorney be given access to the drugs that were reportedly discovered in his car during his arrest on Friday (July 15). Kodak’s attorney, Bradford Cohen, has requested that a neutral third party be allowed to review evidence in the pending criminal prosecution.

Without the ability to view, weigh, and independently test the substances, “it is impossible… to develop a defense on behalf of [Kodak],” Cohen said in a statement on the new motion.

Kodak’s legal team claims a third-party drug test is “essential to ensure his right to a fair hearing, his right to confrontation, his right to prepare his own defense on his own behalf, his right to effective assistance to counsel, and due process of law pursuant to the protections afforded to him pursuant to the Sixth and Fourteenth Amendments of the United States Constitution and the Florida Constitution.”

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The Pompano Beach native was pulled over on Friday in Fort Lauderdale while driving a Dodge Durango that police claimed had excessive window tint. Officers searched the car because they smelled marijuana and allegedly found 31 oxycodone pills, $74,960 in cash, and other illegal items.

The rapper was arrested for possession of a controlled narcotic without a prescription and trafficking after his tags and license had expired. Kodak Black posted bail after entering a not-guilty plea.

His lawyer goes on to say “Never judge a case based on an arrest,” Cohen said following his client’s arrest. “There are facts and circumstances that give rise to a defense, especially in this case. We negotiated a bond of $75,000 and we will move forward with resolving the matter quickly.”

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“It’s Your World, You Decide!”